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Last edit. Chapter 22.
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I’ve trained my brain in one chapter chunks
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“Now, that has to cool and you have to edit,”
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Plodding on, amidst the crises
Suddenly, there are lots of worries. The cost of living crisis that has just had me buying dried pasta instead of fresh, and flour instead of dried, for next time. The global warming crisis, which saw our temperatures reach 40°c last month for the first time in thousands of years, and starved us of our…
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To describe, or not to describe
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Dialect and narrative
I’m cringing at the stark difference between the real, Yorkshire characters in book one and my stuffy narrative voice. It kind of reflects me and how I feel, living here. My favourite people are totally authentic, genuine, no choice but to be themselves and no reason to be any other and then there’s me and…
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Maybelle’s intro was a tough edit
It’s only reading it so carefully, three years after I first wrote Maybelle’s intro, that I realise quite how two-sided the dysfunctionality of her friendship with Zoe is. There’s so much to unpick! I’m not a psychologist or a psychiatrist, but I wonder what they would make of it. The rivalry is strong, with Zoe’s…
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“You’ve written something beautiful. Don’t change it.”
Words spoken by my dear partner the other day, as I was contemplating a Hollywood-style, high octane re-jig of the very first few chapters. You know the kind: a car chase, a murder, finding the absolute, shocking climax of the whole series and plonking it right in there, at the start. “It’s too slow,” I…
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I am still finding mistakes.
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Voices, again
Argh, the voices! The voices. Sometimes, I regret my decision to put the comtemplative one in italics. It makes things so complicated, not least, the dividing line between the two. It’s sometimes not really clear whether a sentence is contemplative or narrative. Sometimes, it seems like it might be both. I’m editing the very beginning…